THE CURE "JUMPING SOMEONE ELSE'S TRAIN" . . . . WHAT A BAND THEY WERE THROUGHOUT THEIR FIRST THREE ALBUMS . . . . LIKE NOTHING OR NOBODY ELSE, DARK, EDGY, INTENSE AND DESPERATELY DRIVING AT SOMETHING ONLY SMITH COULD SEE . . . . THE BEGINNINGS OF GOTH BEFORE GOTH HAD A NAME . . . . BLEAK URBAN SOUNDSCAPES FOR THATCHER'S BRITAIN.